Otto E Mezzo (Nino Rota)One of a handful of masterful films Fellini made during the '60s, including La Dolce Vita, Giullietta Delgi Spiriti, and Satyricon, 1963's 8 1 2 is arguably the director's best work and one of the high points of 20th century cinema. Eschewing many traditional narrative devices, Fellini presents his biographical portrait through a prismatic and fantastical series of flashbacks and "real time" scenes, both professional and personal in content. As usual,
Shopping security
Each payment you make on thelockerguy is secured with strict SSL encryption and PCI DSS data protection protocols
product description
Why choose thelockerguy wholesale?
One of a handful of masterful films Fellini made during the '60s, including La Dolce Vita, Giullietta Delgi Spiriti, and Satyricon, 1963's 8 1/2 is arguably the director's best work and one of the high points of 20th century cinema. Eschewing many traditional narrative devices, Fellini presents his biographical portrait through a prismatic and fantastical series of flashbacks and "real time" scenes, both professional and personal in content. As usual, his longtime musical collaborator, Nino Rota, substantially enhances the dreamy proceedings with a music hall melange of jazz, classical, lounge, and circus music. By way of his usual and seamless stylistic shifts, Rota moves the Sousaesque main title theme through a mix of operatic interludes, cabaret swing, polka romps, and organ combo ditties -- often in the space of one number. While done in less dramatic fashion, Rota similarly stretches out the bouncy and self-explanatory "Carlotta's Galop" theme, even pairing it on one piece with Wagner's Ride of the Valkyries and a lively, Edith Piaf-inspired vocal. On the same high level of Rota's other popular Fellini soundtracks, 8 1/2 works both as an essential soundtrack title and an optimal first-disc choice for newcomers. ~ Stephen Cook